PDF Download The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook

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The Yeast Connection Handbook: How Yeasts Can Make You Feel

The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook


The Yeast Connection Handbook: How Yeasts Can Make You Feel


PDF Download The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook

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The Yeast Connection Handbook: How Yeasts Can Make You Feel

Review

"This book makes a compelling case for how a basic excess of yeast in the human body is systemically destroying our chances at healthier lives."Â (Natural Cures Newsletter)

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About the Author

William G. Crook, MD, received his medical education at the University of Virginia, the Pennsylvania Hospital, Vanderbilt, and Johns Hopkins. He is the author of over a dozen books and numerous articles in medical and lay literature.

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Product details

Series: The Yeast Connection Series

Paperback: 304 pages

Publisher: Square One (March 15, 2007)

Language: English

ISBN-10: 9780757000607

ISBN-13: 978-0757000607

ASIN: 0757000606

Product Dimensions:

6 x 0.8 x 9 inches

Shipping Weight: 14.1 ounces (View shipping rates and policies)

Average Customer Review:

4.3 out of 5 stars

60 customer reviews

Amazon Best Sellers Rank:

#152,933 in Books (See Top 100 in Books)

Very helpful as well as educational in seeking help for an extremely painful Candida overgrowth in foot and let. My doctor would not look at the book and would only give me an oral fungal prescription if I accepted the antibiotic with it which negates both. That is what happened and fortunately, I had ordered all recommended products from Amazon that are for treating the horrific, painful condition: PauDarco, Grapefruit Seed extract, Candida Support Complex and Mollybedum. I also purchased four more books by very credible authors with their contributing recipes. I wanted consensus for all available, current information and I found the four books here on Amazon. I never want to again suffer the horror of the condition that now, after being scripted with oral medicine by the doctor twice (total of 15 days) without any results, I now can witness some progress every day for these two weeks since the prescriptions. So thankful for Amazon when ill, as I can find what I need without driving everywhere looking for what I need.

Actually, I started my searching after books concerning yeast, after it for my wife, by a blood test 2 month ago by which it especially then was found that her blood only was carrying less than the half the normal of oxygen.The Thai doctors did not, and still have not, asked her about what daily she is eating and drinking, but only after a month put her on measuring in the stomach, which found no solution. And now in the next month they from her gut will take out contents, at which she scared is looking forward to.Actually, I think that she, as normal for the Thai persons, during years before I met her, by doctors, repeatedly was, and still are, put on antibiotics, and thereby are having unbalance concerning the yeasts; but nearly blindly still she is trusting the doctors.In the book we are getting much helpful and important information, and actually it’s interestingly to read about all the other person, mostly doctors, from whom Crook by himself learned much, and besides to read about the patient cases.Starting on the aide 195, we read a very speculative information about how yeast can result in persons measured as having been drinking alcohol, even without having taking any at all. Among other we read about a journalist who during 27 years suffered from candida-related yeast, and among other went in jail for 9 month, after measured with blood alcohol levels like .400. The jury wouldn't trust him, and neither in jail when there he had 4 severe attacks.As a side remark. Often I personally have some strange stomach problems which newer happened to me before I from Denmark mowed to Thailand. And I recall how last year I in the Danish news then read that for example in Denmark prawns from Thailand are not allowed, because in Thailand for them there are used pesticides. And daily my wife likes to eat prawns, so thereby we are having a double problem by both antibiotic and pesticides.

This book is old school most know that grains are a no no and that's what his diet entails. Sure you may feel better at first but as soon as you eat anything sweet, candida comes right back!

I was recently diagnosed with chronic fatigue and immune deficiency. Before that and before I was directed to take probiotics, I would have probably pooh-poohed a lot of what is in this book. Now, I say AMEN! The author makes complete sense and uses research to back up what he states. I've seen the difference treatment has made in my own life and would recommend taking this book to your doctor after reading it if you think you are suffering from these symptoms, as well.

When a friend of mine told me about candida i was skeptical. After mulling some things over I got this book and things fell into place. I know the American diet is pure trash and this helped answer some of my questions. This book and others like it will help you too if you need info on the effects fungus in the body.

I got this book upon the recommendation of a natural nutritionist and an alternative care physician (holistic practitioner). Thank goodness! It helped me figure out everything the "regular" doctors told me was "in my head" and I am well today in part because of Dr. Crook's book!

Being a healthcare professional I was suprised that this information was not included at some point in my education. I have seen the treatments advised here work on patients and have used them myself. This is not the answer to everyone's problems however when all other tests have come back with normal values then systemic yeast sensitivity/infection should be considered. I am grateful to the physician who introduced this book to me.

I came across a review for a moisturizer that mentioned Candida Albicans and started researching it. Amazing no doctor has ever mentioned this and I have not heard of it elsewhere. It is definitely what has been affecting me for years! This is a good book to get you more info than the web. They go through every supplement option as well as prescriptions. I am choosing the natural route due to cost and the fact that prescriptions that kill Candida seem to cause a dependency (have to be taken for years and once you stop it comes right back). Changing your diet is a must! It is hard at first- giving up Coffee, man made carbs, sweets, alcohol, some meats, fruits, etc. but the cravings go away within 3 weeks and you come to value your health more than tasting something bad for you. Of course the natural, healthy weight loss is a great bonus, but feeling better and relieving so many complaints is what it's all about. I am still trying to find the right natural remedies to go with my strict diet- trying Dr. Chrisopher's Intestinal sweep and his other items- check the review on Intestinal Sweep for detailed instructions for his program. Also, look into if you have low stomach acid as well- found I did as a result of the Candida issue. Address that with Betaine HCL with Pepsin. Hope this info helps someone like it did me!

The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook PDF
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The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook PDF

The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook PDF
The Yeast Connection Handbook: How Yeasts Can Make You Feel "Sick All Over" and the Steps You Need to Take to Regain Your Health (The Yeast Connection Series), by William G. Crook PDF
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Ebook Download Workbook to Accompany Lippincott's Textbook for Nursing Assistants: A Humanistic Approach to Caregiving

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Workbook to Accompany Lippincott's Textbook for Nursing Assistants: A Humanistic Approach to Caregiving

Product details

Paperback: 464 pages

Publisher: LWW; Second edition (June 28, 2007)

Language: English

ISBN-10: 0781765048

ISBN-13: 978-0781765046

Product Dimensions:

8.5 x 0.8 x 11 inches

Shipping Weight: 1.8 pounds (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

2 customer reviews

Amazon Best Sellers Rank:

#1,146,792 in Books (See Top 100 in Books)

The perfect manual for completing CNA coursework and pass the exam for licensing. I needed to pass the course as a prerequisite for nursing school. Well-organized and easily readable.

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Download Ebook Holy Bible - Best God Damned Version - The Books of Moses: For atheists, agnostics, and fans of religious stupidity (Volume 1), by Steve Ebling Julia Bristow

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Holy Bible - Best God Damned Version - The Books of Moses: For atheists, agnostics, and fans of religious stupidity (Volume 1), by Steve Ebling Julia Bristow

Product details

Series: Holy Bible - Best God Damned Version (Book 1)

Paperback: 438 pages

Publisher: CreateSpace Independent Publishing Platform (October 30, 2015)

Language: English

ISBN-10: 1516861396

ISBN-13: 978-1516861392

Product Dimensions:

6 x 1 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

137 customer reviews

Amazon Best Sellers Rank:

#138,639 in Books (See Top 100 in Books)

Certainly not a book I would recommend to folks that take the Pentateuch seriously, because they would consider this classic of humor to be a work of blasphemy and condemned as a work of Satan. But for those of a more liberal mind, this is one funny book. I remember Mark Twain once wrote a spoof on the bible, but this book is far superior in my humble opinion. Steve Ebling has written a masterpiece of humor here, and I hope this isn't the last we've heard from this guy. I would like to tell Steve people like me are starved for more, because this man has talent and originality in spades. As far as I know, this is his first and only book, but I'll be continuously checking if he or when I can buy his next book. Steve must be a riot and I'd love to share a beer with his guy. Kudo's to his friend, Julia Bristow, that spent time to edit this book, and made it possible for publication. Steve Ebling fans owe her a debt of gratitude. Thomas Dalton

I was surprised at how funny this book is. I went to catholic schools from pre-k to the end of high school; so I will vouch for its surprisingly educated status on the stories contained. They are all nonsense, they all contradict, and Yahweh will promise Abram the same thing 5 times. The seller is that it's funny without actually altering the original stories. Ebling finds a way to make incredible punchlines and ramblings out of nonsense stories collected over hundreds of years. It's a really fun ride. My only critique is that there are a few super racist jokes that caught me off guard, but I don't think it degrades the entire package. I'd highly recommend if you'd like to try out the bible without social pressure to like it; you'll honestly be more educated than most who claim themselves "religious".

I managed to get more educated about the bible without having to read all the thees and thous. It made me despise religion and the psycho-god even more than I already did. Isn't it funny how in this book the god was always talking to people, but today he only talks to psychopaths....mostly telling them to kill someone? Yep, back then, when the earth was flat the magnificent creator mostly told people to kill others, their children, the wretched monsters who dared gather wood on the sabbath, oh crap, they would have stoned me to death, for sure....by the word of our "loving creator." The men who wrote this nonsense would be in a cell next to Charles Manson today. There were laugh out loud moments.

Ebling serves the great good service of rendering this book's contents into plain, simple language - to the extent of ridicule - coupled with reference to the countless contradictions, meaningless or ridiculous directives - born of primitive minds and the sheer nonsensical account of the origin of life and other commentary upon human existence. All those professing belief in the Christian or Judaic religions should read this book. While faith doesn't require proof, some will at least reconsider their beliefs and faith in the religion with which they have been indoctrinated.I was both entertained and informed by the book.

Haaahaaaahaaaaaaa! A real LOL-fest here. The author does a helluva job pointing out all the absurdities & inconsistanties in "the book." How anyone can accept the bible as a literal "word of god" is beyond me, especially after reading Ebling's hysterically funny book. Sure, it's totally irreverant, but if a "god" did actually exist, I doubt he (or she) would be such a jealous, violent, racist, homophobic, misogynist, JERK!

Good read - funny if taken as a sitcom or Monty Python skit. Brings many of the fabled stories into a clearer light as to how one could possibly think that these ancient texts are to be taken literally as truth. Should turn the story line into a Politically Incorrect mini-series on HBO. A bit X-rated, but then again, so isn't the original source?

Amazon was very quick to deliver this book, and I cannot put it down! I know enough about the bible to know that although it's funny as hell, (see what I did there?) it's also pretty damn accurate. I highly recommend it to anyone that wants to know what this silly book has to say but also enjoys a good laugh at the same time.

If you're looking for a thoughtful scholastic survey of the Books of Moses, their conflicts errors and later editing, this won't be it. If that's the case, try Robert Price. If, on the other hand you already have a grasp of the inherent errors and mistakes and want a fun read, this might be it.The humor is a bit sophomoric but otherwise enjoyable.Oh and if you're a evangelical Christian looking to see what the arguments are about the Books of Moses, this isn't it. This book will offend you.

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Holy Bible - Best God Damned Version - The Books of Moses: For atheists, agnostics, and fans of religious stupidity (Volume 1), by Steve Ebling Julia Bristow PDF
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PDF Ebook The Warhol Economy: How Fashion, Art, and Music Drive New York City

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The Warhol Economy: How Fashion, Art, and Music Drive New York City

From Publishers Weekly

In detailing the inner workings of New York's creative industries-ostensibly to demonstrate what policymakers ignore when their appreciation for art begins and ends at the museum-urban planning Ph.D. Currid gives readers an eagle-eyed look at the networking mechanics of the art-as-business crowd. Colorful description abounds, as do colorful characters, such as "petite, personable" Claw, who "has clothing lines with Calvin Klein and Ecko, and is the fashion editor for the indie magazine, Swindle," as well as "one of the most celebrated female graffiti artists of all time." Using Claw's success to illustrate "three important characteristics of the cultural economy"-"unique and symbiotic" inter-industry relationships, rapid commodification of cultural goods and multiple streams of self-generating buzz-Currid is at her lucid best. Unfortunately, the policymaking conclusions she draws are weak; Currid doesn't get very far beyond admonitions to stop "shutting down nightclubs" where the art community connects and instead to support, publicly, "ways in which this artistic and cultural environment is reinforced." Funding for cultural organizations such as GenArt are discussed, as are tax initiatives and artist living subsidies, but Currid doesn't take into account the examples of other cities, like Providence, RI, that have already taken such steps; thus, Currid's blanket statements about the state of urban affairs, and her vague recommendations to improve it, aren't nearly as convincing as her vivid cultural reportage. 25 halftones, 22 line illus. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved.

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Review

"[Currid] describes the organic, informal, social networking side of the creative arts in a mixed tone of Rolling Stone new journalism and objective reporting that serves to advance her central thesis: that as an independent drive of an urban economy, the arts and its related industries should stop being viewed as the beautiful step-child of city environments."---Susan Gardner, Daily Kos"Any discussion about New York City's economic well-being tends to start and end with one phrase: Wall Street. As the Street goes, we assume, so goes the city, which is why politicians will do almost anything to keep the brokerages and investment banks happy.... [In] The Warhol Economy the social scientist Elizabeth Currid argues that this fixation is misdirected, and that it has led us to neglect the city's most vital and distinctive economic sector: the culture industry, which, in Currid's definition, includes everything from fashion, art, and music to night clubs. In other words, it's SoHo and Chelsea, not Wall Street, that the politicians should really be thinking about. Of course, everyone knows that art and culture help make New York a great place to live. But Currid goes much further, showing that the culture industry creates tremendous economic value in its own right."---James Surowiecki, The New Yorker"Elizabeth Currid's argument in this intelligent and innovative book is that New York, and certain other great cities in particular periods, function as the Factory on a greater scale, and that social policy out to reflect that fact."---Roz Kaveney, Times Literary Supplement"In detailing the inner workings of New York's creative industries...urban planning Ph.D. Currid gives readers an eagle-eyed look at the networking mechanics of the art-as-business crowd. Colorful description abounds, as do colorful characters." (Publishers Weekly)"Not every Ph.D student blows her fellowship money at Barneys New York. But for the urban planner Elizabeth Currid, her passion for style led to some interesting statistics, which she examines in The Warhol Economy."---Anya Kamenetz, The New York Times"Sweeping, gossipy, flawed and fun, Currid's book stands alone as a work equally obsessed with the 'location quotient' of a given industry and with Marc Jacobs, the designer....It is the job of the social scientist to take a banal observation--for example, that New York is full of artists and musicians who like to go out at night and all seem to know one another--and worry over it to the point that the obvious seems to fairly glow with complexity. Currid pulls this trick off nicely, and she throws in some amusing backstage anecdotes for extra cultural currency."---Carly Berwick, Bloomberg Muse"An exploration of how fashion, art, and music drive New York City, The Warhol Economy argues that the city's cultural resources contribute more to the economy than most policy makers realize or admit. Interviews with well-known bands, designers, artists, club owners, and writers underscore the value of cultural producers; an appendix's worth of hard numbers back them up."---Annie Fischer, Village Voice"Currid points to the glittery fashion industry, fabulous club life and art openings as more than just creative inspiration in the New York Scene. All are big financial players that help fill the Big Apple's own coffers.... The Warhol Economy brings out the voices of New York scenesters, including fashion designers Diane von Furstenberg and Zac Posen, musicians Quincy Jones and the Talking Heads, as well as Hilly Kristal, founder of the famous but now defunct club CBGB."---Tanya Enberg, 24 Hours Toronto"Currid offers social science with a downtown mentality, crunching numbers with one eye on her data set and the other on the dance floor....The Warhol Economy performs the very useful role of demonstrating how that which appears ephemeral and unimportant in the life of a city actually serves as part of what makes it function.... [The] book reforms and advances the debate on cities and the creative economy that continues to loom large in New York and across the country."---Joe Leduc, Big RED & Shiny"New York's creative industries are inextricably linked...[Currid] discusses not just the power of such social networks, but also the fusion of fashion and art."---Elissa Strauss, New York Sun

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Product details

Hardcover: 280 pages

Publisher: Princeton University Press; 1st Edition edition (July 29, 2007)

Language: English

ISBN-10: 0691128375

ISBN-13: 978-0691128375

Product Dimensions:

7.2 x 1 x 9.2 inches

Shipping Weight: 1.4 pounds

Average Customer Review:

4.0 out of 5 stars

9 customer reviews

Amazon Best Sellers Rank:

#149,191 in Books (See Top 100 in Books)

Wonder why New York City is such a great town? Read this book, and you'll understand. The author explores why corporations choose NYC for their employees. I get it, and so should you.

A good read to get a general overview of the creative class in NYC

She is very knowledgable about her topic.But again, the fact that she completely takes out theater and dance out of artistic equation on New York really hurts the overall comprehension.

Elizabeth Currid’s Warhol Economy thoroughly explains the intricate concept of culture, art and consumption in New York City. Through personal narratives, qualitative data, and historical events, Currid allows readers to get a critical looking into a new economic paradigm in many cities across the nation. She identifies creative capital as the new urban economy, where class is determined by one’s ability to produce commodities and have them widely accepted as valuable. Borrowing the findings of many noted scholars, such as Richard Florida, Currid describes how a new creative class came to dominating New York’s “Downtown Scene” and contributed to a new cultural economy that had not been seen before.Currid’s writing method was simple. She would introduce each chapter with an anecdote, some from her own experiences living in Lower Manhattan, and others from events in history, such as the rise and fall of Jean-Michel Basquiat. In chapter one, for example, she recalls the life of Basquiat, explaining how his creativity in a changing urban economy took him from a artsy vagabond to a rich painter famous painter of his generation. Furthermore, she explains that cultural consumption around the time of Basquiat’s ascension was a new wave of urban economy, where factory and manufacturing in the city was passé. So, Basquiat’s fame, she argues was symptomatic of a changing economy where cultural products like then arts became a lucrative tool in attaining economic success. Currid was also making the argument that the place in which these cultural products were being produced and sold were crucial hubs that would perpetuate the new economic system.Throughout the book, Currid argues that Lower Manhattan: the Village, East Village, Lower East Side, and SoHo, were the centers of the new urban economy. She argues that creative people, such as artists, would flock to these centers in order to seek inspiration, social acceptance, a fun time, and a place to comfortably be “creative”. In the second chapter Currid provides another anecdote about the photographer, Maripol and how this photographer would look for the next “hot” style in fashion, not on the runway but in the Lower Manhattan dance clubs. Again, Currid explicitly identifies cultural capital as a driving force of creativity in the urban center, while referencing historical instances that validates her findings. Currid emphasizes her Maripol narrative by giving readers a brief history lesson in the Lower Manhattan art scene. Explaining that political and socialists sentiments were primarily printed in New York’s downtown in the early 20th century, Currid posits that writings of expression became an important commodity to the Lower Manhattan art culture. By bringing up the history of Lower Manhattan, Currid drives home the concept of place being a contributing factor in the creative consumer centers of the city.Another interest facet of Warhol Economy is in how it describes the city of New York as an exemplar and outlier from other formerly industrial cities in the United States. Currid makes it plain: New York is not like Detroit or Pittsburgh, and it is quite remarkably different because of its ability to rebound from crisis. Currid claims that New York was able to reinvent itself because of its “human capital”, where individuals engaged in professional services and less standardized production. In a nice way, she explains that New York’s capacity to export cultural products, such as media and film, are in essence leaps and bounds ahead of other formerly industrial cities. Currid intelligently sneaks in graphs to prove her point as well, showing that NYC reigned supreme as having had professional services at the highest percent of their workforce by the year 2000. Further, another graph she rolled out was one that basically proved the Big Apple to have 4 times the concentration of art than any other American City. Graphs proved to be a useful tool in presenting empirical data, as well as breaking up Currid’s sometime repetitive message of how superior New York was in the art scene compared to other American cities.Another important aspect of Currid’s work is her vivid description of the “Tastemaker”. Currid describes this creative sect as individuals who serve two large roles: trendsetter and trend consumer. Further, she considers the Tastemaker to be faceless, an unnamed women on the dance floor wearing an outfit off the beaten path, or a person who frequent the nightlife scene, looking for an open gallery, looking for a new experience. These creative Tastemakers are the ones who decide what culture is “cool” and when, they set the trends, and set the styles. Currid ties Tastemakers into her larger argument of creative consumption by explaining their presence as an important tool in networking and economic success in the art world. So without Tastemakers, there would be no Warhol Economy.Lastly the notion and age-old saying, “it’s not what you know, but who you know” is used by Currid in order to explain how artists find success from networks and not necessarily merit. She begins chapter 4 by telling a story of how she came to knowing famed clothing designer Marc Jacobs. She begins the tale by talking about being lost in Downtown, New York. She kindly asked a man where Bleeker Street was, looking to find one of Jacobs clothing boutiques. To her surprise, the man happened to be a good friend of Marc’s, and had the capacity to call up Marc to coordinate an interview between her and him for her book. These connections, Currid asserts, are ones that create and continue careers for artists and creative marketers. Being able to find those who can propel your career and offer advice or valuable contacts is the difference between success and mediocrity. In sum, in Warhol’s economy the idea-driven person wins. In Warhol’s economy the creative thinker, weird dresser, underground art-dealer wins. However, the opportunity to take advantage of the creative market depends on where a person is located and the time they find themselves in. It is a unique marriage of paradigm and opportunity. New York City served as a stage with which creative minds converged and hustled amid a time of huge money flow. Currid cleverly uses each chapter as an easel, painting a narrative of New York culture and social mobility.

Good book but a tad bit tedious. She enlightened me as to how the creative community is a vital economic consideration and not merely a luxurious by-product of economic conditions.The general purpose of the book is to introduce the reader to a different view of the creative community's role in economics, its origins, catalysts and catalysts of decline. She de-emphasizes the importance of public policy in breeding the necessary conditions while doing so.This is also valuable as a NYC travel guide, a lesson in economics, history and urban planning as well as an index of some of the most interesting names in the NYC creative community.That said, unless you were born yesterday or have never spent any time in a city, going to bars, listening to music, reading books and meeting people, some of this information will seem obvious and redundant. People meet people in clubs and bars, we all know that. You're more likely to run into people in a walking city than a driving city, obvious.I appreciate her thoroughness, but I think this book could have made drove home its excellent message in a book probably 2/3rds the length of this. A good book, but get the cliff notes.

If you're at all a fan of New York City, especially when defined as a cultural mecca, then this is a must read for different reasons than those that The Warhol Economy advertises. An extensive, heady gossip column gone delightfully awry, The Warhol Economy is a book completely infatuated with the city's culture and the industries lying behind it. Fellow New Yorkers and fans of the city and its artistic presence will not be disappointed, and even casual readers will get caught up in her name-dropping passion for the creative denizens of the Big Apple. However, if you're a fan of the artist Andy Warhol, you'll quickly see through the thin veil to realize the author is simply using the artist's name to move copies off the shelves a little more quickly. Very little knowledge or new wisdom involving Warhol is imparted. There is intrinsic value in the above truths, however. First of all, the name Warhol is synonymous with both Pop Art and New York, and, he himself would consider the mention high praise, thinking the concept as being "very pop." Secondly, while the author tends to ramble, loosely relating several familiar topics and famous people to the art and fashion scene of New York, through her chosen verbiage she inadvertently paints a very detailed portrait of the Manhattan collective groupthink. These thought processes are of great value in any timeframe, since as she even points out, "all business is done in New York." Thirdly, such a move to associate her work with Warhol was smart for business, which is really the biggest, if not the only lesson being a resident of New York will teach you.

Completely redundant in that she mentioned only a handful of New York City's avante-garde. The book is interesting but limited in its discussion of the subject. Apparently she thinks that Charles and Ray Eames are brothers and that the MMA is now the Metropolitan Museum of Modern Art. I wouldn't waste your time, if I were you.

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