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, by Dennis Lehane
Ebook Free , by Dennis Lehane
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Product details
File Size: 919 KB
Print Length: 409 pages
Publisher: Ecco; Reprint edition (May 9, 2017)
Publication Date: May 9, 2017
Sold by: Amazon Digital Services LLC
Language: English
ASIN: B01M312NB9
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Amazon Best Sellers Rank:
#82 Paid in Kindle Store (See Top 100 Paid in Kindle Store)
Read it in one sitting yesterday -- I love Dennis Lehane's writing. Different from a lot of his other work, but the guy has range, and isn't afraid to branch out and try something new. Can't understand these people who are brutalizing him for "straying" from the Patrick Kenzie formula that made him famous. I like the variety, and thought he did a good job with a female protagonist. There are some fairly long paragraphs dealing with Rachel's psychological torment, and I occasionally thought of Elmore Leonard ("I try to leave out the parts that people skip") but they do add to the story, even when a little long. Maybe those who are expressing disappointment are missing the nonstop thriller/action/adventure motif of his early work, but the guy isn't cooking Big Macs, he's writing novels! This is something new and different, but so what? The test is, "Do I stay up late to finish the thing because I can't put it down?" And the answer here is an unqualified yes.
The old Dennis Lehane is back. Thank goodness SINCE WE FELL is not another of his historical mafia books. Looks like he’s done with those.But SINCE WE FELL doesn’t begin like one of Lehane’s older novels. The first half of this book is a study of Rachel, the main character. It does not grip the reader almost immediately, as you might have expected of Lehane before his mafia books.Instead, we learn of Rachel’s discontent with her mother, who refuses to tell Rachel who her father is/was. Eventually, Rachel looks for him on her own. This leads to her initial meeting with Brian, a supposed private detective, who refuses to take her money for a job he knows he can’t do.We also learn a lot more about Rachel, maybe more than we need to know sometimes. For various reasons, though, she is frequently afflicted with panic attacks. They disrupt her life so much that she becomes almost totally housebound.The second half of SINCE WE FELL is Lehane as we used to expect. Now we come to know Brian better. Is he all that he seems? Who is he, really?There’s more plot to the second half. But the character study in the first half is what makes the book more than a plot-driven thriller.
Mystic River was one of my favorite novels of its time. And I was on board for the Patrick Kenzie and Angela Gennaro series—for a while, until I felt that Lehane was phoning it in. His stand-alone Live By Night wasn’t up to the standard of The Given Day, either. But I am glad I took a chance on this new and vital (and also stand-alone), SINCE WE FELL (look up the one-hit wonder song). This book is, in my opinion, his very best, and demonstrates that he is at the epitome of his talent as a writer. Get ready for a big, brilliant bombshell of a story. You’ll want to call in sick—it is immersive, cinematic, lovingly written-- unputdownable.I am not going to give spoilers, even minor ones. Every new discovery made me tighten my jaw a bit more, and there were plenty of white-knuckle moments, especially in the latter half of the book. However, I was also deeply connected from the beginning, due to Lehane’s acumen for building complexity through character. What Lehane did was fuse character development with plot, both necessary and integral to the book as a whole. Rachel Childs, the fractured and caring journalist, is the fascinating protagonist, and as complex a character as you will ever meet in a suspense story. But even secondary characters in this novel have their own unique imprint—no one was generic or glazed over. The steady burn in the first 200 pages is crucial to installing the reader and hooking you into the story, preparing you for a compelling and superb completion. Every. Character. Is. Believable. And the plot never lets you go.We meet Rachel and learn quickly that she has understandable abandonment issues. Her father left when she was three, barely a flicker of remembrance for Rachel, and her mother, a once-famous writer of marriage books, is like a Susan Sarandon at her most acerbic. Figuratively and literally, Rachel is still searching for her father, and suffering with psychological issues and a cauterized spirit stemming from his departure and her mother’s controlling and often bitter tongue throughout her life. Trust is not easily gained for Rachel. And, after a journalistic trip to Haiti, the troubles intensify.The novel covers themes that work together, in tandem and flawlessly—highlighting abandonment, betrayal, friendship, PTSD, and none so potent a motif as love and trust. This is the kind of love story that can go any which way, and I won’t tell you which way it goes. Of course, the first line of the book’s prologue tells you how love can go wrong.“On a Tuesday in May, in her thirty-fifth year, Rachel shot her husband dead.â€That can be a tough act to follow for a lesser talent, but Lehane kicks it up more than a few notches as the story progresses. I was caught up with clenched fists almost every step of the way. There are characters that you warm to, and others you love to hate, but you will be engulfed by events as character and plot move the story forward. Just be patient. This isn’t like the Kenzie novels, with fast action page after page, and it is as much character-driven as plot-driven. They inhabit the narrative hand-in-hand, which I can’t restate enough. And there are moments, events, and dialogues that grip you to the end. As Rachel’s mother warned her on page two:“A man is the stories he tells about himself, and most of these stories are lies. Never look too closely. If you uncover his lies, it’ll humiliate you both. Best to just live with the bull#%*^.â€Read it and leap!
This book starts off slow, drags you through Rachel's assorted dysfunctions at a tedious pace, starts to get interesting at around the halfway mark when you think there might be a plot starting to happen, gets ridiculously implausible, then lands with a thud.There are a number of directions Lehane could have taken with this story. Could have made Rachel crazy and hallucinating. Could have made her a hero who does the right thing. Instead he made her another one of those weak pointless women who seem to be all the rage these days in fiction. Here's a SPOILER so you don't waste your money just to find out I was correct in my assessment:Brian has assumed not one, but many fake identities. He is a con man with an elaborate plan to steal millions and leave the country with his equally fake partner, who has a con man wife that he didn't realize was conning him. Rachel, despite everything Brian has put her through, both emotionally and physically, goes along with him.I feel like Lehane is laughing at me for giving him money for this insulting trash, but rest assured it will be the last dime of mine he sees.
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